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Lastly if you want a video walk through of some of the best of these new features, then London based colorist Dan Moran has a 15 minute tutorial over on Mixing, a subscription based colour grading training site. Or, if you’re like me, you can go back and forth between cutting and grading continuously, making grading tweaks to scenes right in the middle of your edit, creating quick matches when insert shots don’t look right, or creating that day-for-night look you need to make a particular scene work. One of the main themes of Resolve 11 is vastly expanded editing tools you now have a video editor living directly alongside your grading environment, in which you can cut from scratch and immediately switch to grading with a single mouse-click. All of that is simply an introduction to say that you should check out his blog post about the new release of Resolve 11 and why he’s excited by the latest update. All the while working as a professional colorist. If that wasn’t enough to keep him busy, he has created some excellent video tutorials, available from Ripple Training, which he will be completely overhauling for Resolve 11, so keep your eyes peeled for those too.
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If there are any options that I can have the will tighten up the accuracy of my HSL key then I’m going to be one happy camper.”Īlexis Van Hurkman, who has not only re-written the 852 page manual (!) for DaVinci Resolve – which you can now find in the Applications > DaVinci Resolve folder, rather than as a separate download from the Blackmagic Design site – but he’s also written several books on colour grading that you really should check out too. I almost always try to key before I track (obviously the situation has to be pertinent to the correction at hand). Quite frankly, I feel it’s a little under appreciated and people tend to gravitate towards the fancier tracking tab. “I’m a big fan of the qualifier tab in Resolve. Stronger keys = stronger grades.Ĭolourist Rob Bessette was fortunate enough to have access to Resolve 11 during the private beta test period and so he’s had a head start on the rest of us in whittling down his favourite new features, which he has helpfully put together in a short blog post here.
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Well worth a watch! The Best New Features in DaVinci Resolve 11īy far my favorite color upgrade in #Resolve11 is the denoise, white & black clipping for qualifiers. He also took the time to demonstrate how easy the collaborative workflow is between editor and colourist.
In this excellent half hour demo from the Las Vegas Supermeet, Alexis showcases just how powerful the editing capabilities are within Resolve 11.
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I blogged about all the new features in DaVinci Resolve 11 back in April, so check out this post – DaVinci Resolve 11 New Features – for a full run down of the nearly 140 new features, as well as more videos like this one from Alexis Van Hurkman taking you through both the colour grading and editing capabilities.
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Version 11 of everyone’s favourite free colour grading software was announced at NAB and only a few months later you can now get a hold of it for free for yourself! Download it here.
There's a significant learning curve and you'll need to spend a while reading the manual and exploring Resolve's abilities, but if you need this level of power it'll be worth the effort.DaVinci Resolve 11 Now Available in Public BetaĭaVinci Resolve 11 is now available to download as a free public beta. Verdict:ĭaVinci Resolve is a hugely capable video editor with outstanding colour grading features. Please note, you must provide a lot of personal information to register DaVinci Resolve - name, email and physical address and phone number - before you're able to download it.
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A detailed PDF manual gives you a high-level view on the sort of things you might want to do with colour correction - to add style, emphasize what's important, match or confound audience expectations - and then explains how to achieve them. This also can be seriously complicated to use, but DaVinci Resolve does at least provide some quality local documentation to help you get started. This isn't just about dragging RGB sliders: you can create and adjust curves in real time, match and balance shots, use 3D object tracking and more. The real value here is in Resolve's colour grading.
Import multiple clips and you're able to sync them automatically via audio. Import videos into a media pool here, add them to a timeline there, trim or reorganise clips, add transitions, apply effects, add titles and more. This isn't a package for beginners, but if you've some editing experience the interface will seem familiar enough. DaVinci Resolve is a powerful non-linear video editor with industrial-strength colour correction technology, as used on movies and TV productions across the world.
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